08 August 2015

Review of Ayaal Njanalla

If re-imagining or recycling an old theme can be called an experimentation then Ayaal Njanalla can be termed as one of the best experiments in the recent times in Malayalam cinema. We have seen lookalikes of superstars used by directors to make spoofs or stories where the dupe of a superstar using his looks to get rich quick or to get out dicey situation. But, here Prakashan the lead character of film played by Fahadh Faasil, a simpleton who had migrated to arid Kutchh from Koyilandy some fifteen years back after failing in his tenth standard exams. And, on a short trip to Bengaluru realises that he has uncanny resemblance to an upcoming star Fahadh Faasil. This may be a rare occasion where a star duping himself.

To begin with; we see Prakashan as formulaic hero of Malayalam films, a simple person with a heart of gold, working hard to stay afloat in the face of financial crisis. He is such a naive fellow who cannot convey his feelings to his lady love. He works in a tyre repairing shop run by his uncle. He does have big dreams of setting up Dhaba there in the future.

The story by Ranjith helmed by actor turned director Vineeth Kumar does have the novelty in the form of the atmospherics o f Gujarat and the way Prakashan looks. He is vulnerable and does not win the kite flying challenge (his entry point into the story) as a typical hero would.

His life goes into further tailspin when his uncle dies in a freak accident and he has to make a short trip to Bengaluru. Prakashan has come here to sell his share of ancestral property in his home town. There is his school friend Arun (Jins Bhaskar) to help him. Apart from using his connections of Malayalis in Bengaluru to help his friend Arun also gives Prakashan a taste of urban life by taking him for an exotic facial and fish pedicure, after that Arun takes him to an upmarket shopping mall to get him a few new dresses, it in a way changes Prakashan's life; here a couple of young girls mistake him for being Fahadh Faasil and request him to pose with him for a selfie.

Till now we had seen Prakashan in a full grown beard and head full of hair and an angelic smile. Now, to cut the long story short the circumstances make him pose as Fahadh Faasil with a clean shaven face and receding hairline for a public function in a women's college, which drags his life into further complications.

There is no denial that there are a few genuinely laughable moments, but on thinking back the situation seems to be far fetched where stars even keep a close watch in the cyberworld to stop people from robbing their identities, here a fake person attends a public function with hundreds of people there and gets out unscathed. The situation is dragged further where Prakashan has to be Fahadh with peppering of humour that is sprinkled by actors like, Sreekumar, Tini Tom, Noby and others.

The resolution of all the problems faced by Prakashan is too simple to be believable where the makers have tried to present a layered narrative that goes beyond just being an ordinary comedy.


So, we can only suggest that you go and see Ayaal Njanalla without high expectations and come out happy.

As it appeared in Rediff.

1 comment:

Dhanush | ധനുഷ് said...

Reminds me of Saramago's The Double.