If
re-imagining or recycling an old theme can be called an
experimentation then Ayaal
Njanalla
can be termed as one of the best experiments in the recent times in
Malayalam cinema. We have seen lookalikes of superstars used by
directors to make spoofs or stories where the dupe of a superstar
using his looks to get rich quick or to get out dicey situation. But,
here Prakashan the lead character of film played by Fahadh Faasil, a
simpleton who had migrated to arid Kutchh from Koyilandy
some fifteen years back after failing in his tenth standard exams.
And, on a short trip to Bengaluru realises that he has uncanny
resemblance to an upcoming star Fahadh Faasil. This may be a rare
occasion where a star duping himself.
To
begin with; we see Prakashan as formulaic hero of Malayalam films, a
simple person with a heart of gold, working hard to stay afloat in
the face of financial crisis. He is such a naive fellow who cannot
convey his feelings to his lady love. He works in a tyre repairing
shop run by his uncle. He does have big dreams of setting up Dhaba
there in the future.
The
story by Ranjith helmed by actor turned director Vineeth Kumar does
have the novelty in the form of the atmospherics o
f Gujarat
and the way Prakashan looks. He is vulnerable and does not win the
kite flying challenge (his entry point into the story) as a typical
hero would.
His
life goes into further tailspin when his uncle dies in a freak
accident and he has to make a short trip to Bengaluru. Prakashan has
come here to sell his share of ancestral property in his home town.
There is his school friend Arun (Jins Bhaskar) to help him. Apart
from using his connections of Malayalis in Bengaluru to help his
friend Arun also gives Prakashan a taste of urban life by taking him
for an exotic facial and fish pedicure, after that Arun takes him to
an upmarket shopping mall to get him a few new dresses, it in a way
changes Prakashan's life; here a couple of young girls mistake him
for being Fahadh Faasil and request him to pose with him for a
selfie.
Till
now we had seen Prakashan in a full grown beard and head full of hair
and an angelic smile. Now, to cut the long story short the
circumstances make him pose as Fahadh Faasil with a clean shaven face
and receding hairline for a public function in a women's college,
which drags his life into further complications.
There
is no denial that there are a few genuinely laughable moments, but on
thinking back the situation seems to be far fetched where stars even
keep a close watch in the cyberworld to stop people from robbing
their identities, here a fake person attends a public function with
hundreds of people there and gets out unscathed. The situation is
dragged further where Prakashan has to be Fahadh with peppering of
humour that is sprinkled by actors like, Sreekumar, Tini Tom, Noby
and others.
The
resolution of all the problems faced by Prakashan is too simple to be
believable where the makers have tried to present a layered narrative
that goes beyond just being an ordinary comedy.
So,
we can only suggest that you go and see Ayaal
Njanalla
without high expectations and come out happy.
As it appeared in Rediff.
1 comment:
Reminds me of Saramago's The Double.
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